Rihanna's Hokkien Umbrella

Hahaha! very funny video. Two girls form a group named Banana Sisters & mortified song from Rihanna into Hokkien language.

八打灵播道会中文堂

GeoTagged, [N3.12684, W101.63724]

这是我的教会，我每星期都会到这里敬拜上帝以及跟弟兄姐妹们团契。它蛮靠近我所住的地方，也是一间小教会。

超神準十六型人格測試

Lily 剛完成了 超神準十六型人格測試 的 100%，以下是人格資料。

第 7 型人格 - 教育家 (ENFJ) - 準確率: 100%

您適合的領域有：培訓、諮詢、教育、新聞傳播、公共關係、文化藝術

您 適合的職業有：人力資源培訓主任, 銷售經理, 小企業經理, 程序設計員, 生態旅遊業專家, 廣告客戶經理, 公關專業人士, 協調人, 交流總裁, 作家／記者, 非營利機構總裁, 雜誌編輯, 電視製片人, 市場專員, 社會工作者, 人力資源管理, 職業指導顧問, 心理咨詢工作者, 大學教師（人文學科類）, 教育學、心理學研究人員, 撰稿人, 節目主持人（新聞、採訪類）, 公共關係專家, 社會活動家, 文藝工作者, 平面設計師, 畫家, 音樂家

溫情，有同情心，反應敏捷，有責任感。非常關注別人的情緒、需要和動機。善於發現他人的 潛能，並希望能幫助他們實現。能夠成為個人或群體成長和進步的催化劑。忠誠，對讚美和批評都能做出積極地回應。友善、好 社交。在團體中能很好地幫助他人，並有鼓舞他人的領導能力。 ENFJ型的人熱愛人類，他們認為人的感情是最重要的。而且他們很自然地關心別人，以熱情的態度對待生命，感受與個人相關的所有事物。由於他們很理想化， 按照自己的價值觀生活，因此ENFJ型的人對於他們所尊重和敬佩的人、事業和機構非常忠誠。他們精力充沛、滿腔熱情、富有責任感、勤勤勤懇懇、鍥而不捨。 ENFJ型的人具有自我批評的自然傾向。然而，他們對他人的情感具有責任心，所以ENFJ型的人很少在公共場合批評人。他們敏銳地意識到什麼是（或不是） 合適的行為。他們彬彬有禮、富有魅力、討人喜歡、深諳社會。ENFJ型的人具有平和的性格與忍耐力，他們長於外交，擅長在自己的周圍激發幽默感。他們是天 然的領導者，受人歡迎而有魅 力。他們常常得利於自己口頭表達的天份，願意成為出色的傳播工作者。 ENFJ型的人在自已對情況感受的基礎上做決定，而不是基於事實本身。他們對顯而易見的事物之外的可能性，以及這些可能性以怎樣的方式影響他人感興趣。 ENFJ型的人天生具有條理性，他們喜歡一種有安排的世界，並且希望別人也是如此。即使其他人正在做決定，他們還是喜歡把問題解決了。 ENFJ型的人富有同情心和理解力，願意培養和支持他人。他們能很好地理解別人，有責任感和關心他人。由於他們是理想主義者，因此他們通常能看到別人身上 的優點。

Neway Fun Time With Colleagues

It's Sunny Day! Hallelujah !!

Yeah! It's sunny day! Super hot these day & my office located at 19th floor at Wisma MCA & full of glass walls. Sunshine will appear every morning & evening, especially my workstation. See the pictures at above, we have to use few umbrellas to hide away the sunshine. Bosses!! when are you going to install curtains to us?? i was sick for past few weeks due to this super sunny day. I really hope that our miser bosses are able to take care of their staff in this super sunny day. it's been to so sarcastic that we have to use umbrella for our best shelter. n_n" =_=" ^_^" Hot Hot Hot !!!

可怜的老人家

我的外婆已八十几岁要九十岁了，她是一位命运坎坷的女人。小小就被收养为童养媳，从小被丈夫家婆恶待；没一天好日子过。孩子还小时就被丈夫抛弃，独自扶养四个孩子。在她年老时家产被不孝子骗光，连养老的钱也不留给她。大儿子游手好闲连自己都养不活，二儿子离了婚但愿意照顾她老人家；可是在他六十几岁的时候得了肺劳病，无法在照顾她了。小儿子把所有的家产败光了后就跑得不见人影，连妻儿也不要了。现在的她被那位一直都被她遗忘的养女收留，有好处从不想到养女但坏事从不忘记她！咳！可悲又污浊的人性呀！

一篇男生都会明白，女生都会感慨知道太迟的文章‏

男人要永远感谢在他20多岁的时候曾经陪在他身边的女人，
因为20多岁的男人处在一生中的最低点, 没钱、没地位，没房、没车、没事业，不能独立又不想依赖，挣扎着彷徨着，寻找自己的位置！
而20多岁的女人却是她生命中最灿烂的时候；
男人要永远感谢在他20多岁的时候曾经陪在他身边的女人，
因为二十多岁的男人还很“懵懂”，
而二十多岁的女人却很灿烂；
二十多岁的男人处在一生中的最低点，
而二十多岁的女人却是她的大好华年；
二十多岁的男人很不知珍惜，
而二十多岁的女人最需要被珍惜；
二十多岁的男人自卑到极点所以非常自负，
而二十多岁的女人却在努力建立他的自信；
二十多岁的男人不懂爱，不会爱却需要爱，
而二十多岁的女人需要被爱，需要关怀，却要付出呵护付出关怀；
二十多岁的男人没钱、没事业，但有欲望
而二十多岁的女人空守着自己的韶光不再；
女孩子二十岁左右是她最美丽的年华，这时她的心地最善良，她有点成熟，又有点孩子气。
男孩子在二十多岁时遇见了一个年纪相当的女孩子，那一定要珍惜她，因为这个女孩是用自己最美丽的年华陪他走过了最暗淡的日子！！！
女孩只要陪他走过，女孩会永远幸福下去~~~
当女孩对你撒娇甚至无理取闹时，请男孩不要烦恼女孩，因为她们有道理这样，我们没理由烦恼，我们要做的就是很理解很理解，保护好这位天使，等我们到了30岁，正当我们最美丽的时候，也请你不要放开这位曾经的天使！！！ 二十多岁的男人不知道珍惜,不知道感恩.
当他们三十多岁的时候,事业有成,成熟稳重.
开始嫌弃曾经陪伴过他,但不再年轻的女人.
有人说男人其实是最专一的.
因为从20岁到80岁的男人都喜欢20岁左右年轻漂亮的女人.
这是个笑话,但也是个事实.
有人说现在的年轻女孩都很现实,眼中没有爱情.
称着年轻嫁个有钱的,一辈子也就有个归宿了.
男人有时好比洋葱,要想看到洋葱的心就需要一层一层去剥。
但是女人在剥的过程会不断流泪剥到最后才知道，
原来洋葱是没有心的.

Hellboy 1

Directed by Guillermo Del Toro



Hellboy is a 2004 supernatural action-thriller film directed by Guillermo del Toro. The film is based on the Dark Horse Comics work Hellboy: Seed of Destruction by Mike Mignola. It was produced by Revolution Studios for Columbia Pictures
Released in 2004, it grossed $60 million at the U.S. box office, and $100 million worldwide^[1] and was favorably received by critics. A sequel, Hellboy II: The Golden Army, was released on July 11 2008
In 1944, the German Nazis work with Russian mystic Grigori Rasputin on an isolated island off the coast of Scotland to build a dimensional portal. They intend to use it, with Rasputin's help, to awaken the Ogdru Jahad (the Seven Gods of Chaos), monstrous entities that have been imprisoned and asleep since an undisclosed time, to destroy their enemies. But Rasputin secretly intends to use the entities to bring about the destruction of the entire Earth. He is aided by his servant and lover, Ilsa von Haupstein, whom he has granted eternal life, and Nazi Colonel (Sturmbannführer) Karl Ruprecht Kroenen, a notorious assassin. The United States sends a small Army team to destroy the portal, guided by a young doctor, Professor Trevor Bruttenholm, who is well-versed in terms of magic and sorcery. In the ensuing battle, the German scientists and soldiers are killed and the portal is destroyed, killing Rasputin. Ilsa and Kroenen escape capture. As the Army team surveys the ruins for anything that may have sneaked into their dimension through the portal, they discover a bright red infant demon with a right hand seemingly made from stone. Bruttenholm coaxes it into his arms with a Baby Ruth candy bar. They name the little demon "Hellboy."
Sixty years later, a young FBI agent named John Myers is transferred to the Bureau of Paranormal Research & Defense, run by Professor Bruttenholm. He is introduced to Hellboy, now an adult. Also employed with the BPRD is a fish-like person named Abe Sapien who has advanced psychic abilities, and Liz Sherman, a pyrokinetic who has yet to learn to control her firestarting abilities. Liz has recently left the bureau (for the thirteenth time) and checked herself into a mental hospital in an effort to protect others from her talent. Despite regular visits and coaxing from Hellboy, who appears infatuated with her, she is determined not to return.
Meanwhile, Kroenen and Ilsa resurrect Rasputin. Rasputin and his companions travel to New York and the Machen Library of Paranormal Artifacts. There, they open a display and, through magic, release a demon known as Sammael, a hell-hound with a distinct Lovecraftian appearance. Rasputin imbues Sammael with the power to reincarnate and split his essence, causing two of the creatures "eggs" to hatch and mature in seconds each time one dies. Rasputin then visits Liz as she sleeps, reactivating her powers and causing the near-total destruction of the hospital. Afterwards, Myers talks to her, and convinces her to return to the bureau, at least for the short term.
The multiplying Sammael quickly becomes a major problem, as Hellboy repeatedly kills it, creating dozens. Sapien is injured during an attempt to retrieve some of their eggs, and Kroenen kills one of the FBI agents sent with Hellboy, and Sammael kills the other 2 agents. Kroenen, whose ancient body is now run by mechanisms, then shuts himself down and pretends to be defeated just before Hellboy arrives. Kroenen's 'corpse' is brought to the bureau for examination. FBI Director Tom Manning is angered by Hellboy's recklessness, which he feels is indirectly responsible for his agents' deaths. Hellboy gets mad and threatens Manning just as Liz returns, almost causing her to leave again just as quickly. Myers, in an effort to help her overcome her difficulties with Hellboy, takes her out for coffee and to talk. Hellboy, jealous, covertly follows them.
While they are away, Rasputin appears at the bureau, reanimating Kroenen before they confront Professor Bruttenholm. Out of twisted respect for Bruttenholm's protection and nurturing of Hellboy, Rasputin promises him a quick death, but first offers him a vision of the future, showing Hellboy is the agent that has destroyed the world. Rejecting Rasputin's vision of Hellboy's destiny, Bruttenholm is stabbed in the neck and, clutching a rosary, collapses and dies.
Manning takes over the BPRD and, with the help of Hellboy and the others, manages to find Rasputin's physical body located in a mausoleum in an old cemetery outside Moscow, Russia. An enraged Hellboy, with Manning's help, destroys Kroenen once and for all, to avenge the death of his "father", Professor Bruttenholm. Telling Manning to stay back, Hellboy reunites with Liz and Myers at the Sammael's nest to defend them, but the hellhounds overwhelm him. In an effort to help, Liz, with some encouragement from Myers, ignores the fear that has prevented her from unleashing her full potential and uses her pyrokinetic powers to encase herself in blue fire, which she uses to incinerate the army of Sammaels and all the eggs. Unfortunately, this effect renders Hellboy, Liz, and Myers unconscious and they are captured by Rasputin.
To get Hellboy to release the Ogdru Jahad, Rasputin sucks Liz's soul out of her body, telling Hellboy that Liz will come back to life only if he complies. Hellboy, not wanting to lose Liz, awakens his true power as Anung un Rama (the Beast of the Apocalypse), causing his horns to regrow. He nearly releases the Ogdru Jahad, but the injured Myers reminds him of who he is and that he has the right to choose his own path. He snaps off his horns, returning to his former self and resealing the Ogdru Jahad. As Rasputin screams his frustration and disappointment at Hellboy, Hellboy stabs him with one of his broken horns.
However, Rasputin has one last trick up his sleeve: he is possessed by a demon from the Ogdru Jahad. The tentacled Behemoth bursts out of Rasputin's body, grows to immense size, and destroys Rasputin and Ilsa. Hellboy grabs a stone sword from a nearby statue and attacks the Behemoth's tentacles, then allows himself to be swallowed while detonating a belt of live hand grenades. The subsequent explosion shatters Behemoth from inside who dies. Liz's vital signs are gone when Hellboy returns from the fight, but he whispers into her ear, and suddenly her life is restored. When she asks how her soul was returned, Hellboy replies that he simply told the creatures from the other side the cost of taking her: "Hey, you on the other side. Let her go. Because for her I'll cross over, and then you'll be sorry." She and Hellboy kiss as she surrounds them in blue flame, and the narrator, Myers, says that what truly makes a man is "Not how he starts things, but how he decides to end them."
Finally, the film ends with a humorous mid-credits scene, where a forgotten and frightened Manning is lost several levels down in the dank and dim halls of the mausoleum, listening to (maybe) the rustle of footsteps, and looking to see if there's anyone/anything around.

Bridge to Terabithia

Directed by Gábor Csupó



Bridge to Terabithia is a 2007 film directed by Gábor Csupó (co-founder of Klasky-Csupo) for Walt Disney Pictures and Walden Media, based on the Katherine Paterson novel of the same name. The film was released on February 16, 2007 in the U.S. and Canada, and June 16, 2007 in New Zealand and was number two at the box office in the U.S. and Canada over its opening weekend. It was rated PG for thematic elements including bullying, some peril and mild language by the MPAA.

A 12-year-old boy named Jesse "Jess" Aarons (Josh Hutcherson) is an aspiring artist and elementary school boy living in a financially-struggling family and 12-year-old Leslie Burke (AnnaSophia Robb) is the new girl who has had trouble making friends at school and yet is full of joy and wonder with a vast imagination, at Jess' school, just moving to Lark Creek (Jess's small town). She enters a running event which she wins, despite her classmates calling it a "boys only" race. At first, Jess is quite sour about this and wants nothing to do with Leslie, but Leslie's persistence in meeting him soon pays off, and soon the two become very close friends. Their friendship starts when Leslie offers Jess a piece of Juicy Fruit gum on the bus, and he accepts. Jess shares his secret love of drawing with Leslie. Together they venture into the woods, where they swing across a creek on a rope and find an abandoned tree house on the other side. Here, the two friends invent a new world they call Terabithia, and it comes to life through their eyes as they explore together. Back in the "real" world, they both plot against bullies at their school. Leslie gives Jess an unexpected birthday present, an art kit, and he gives Leslie a dog (Prince Terrien) in return, much to both of the children's happiness. On the next trip to Terabithia later that day, it is noted that the river beneath the rope has begun to swell, there is increasing tension as Leslie and then Jess swing across the creek, their feet brushing across the water.
At the end of a particular visit to Terabithia, Jess watches Leslie run back to her house, (the same way he would watch his music teacher, Ms. Edmunds) suddenly realizing he loves her. Early the next morning, Ms. Edmunds (Zooey Deschanel), who has noticed Jess' artistic interests, calls to invite him on a field trip to an art museum. He makes an effort to ask his mother's permission; she is half-asleep and doesn't actually say anything, but he is so eager to go that he assumes she agreed. He has an unspoken crush on the beautiful and personable teacher and does not want to share the trip with Leslie; he merely looks at her home as they drive by.
When he returns, his father (Robert Patrick) and mother are worried sick, not knowing where he has been all day. He hears the horrifying news that Leslie died trying to swing across the rain-swollen creek. The rope broke and she fell in, drowning after hitting her head on something, possibly a rock, which knocked her unconscious. Jess suffers much grief, and he and his parents visit the Burke family home to "pay their respects".
Jess feels overwhelming guilt for Leslie's death, but his father consoles him to keep their intense friendship alive for her sake. So, Jess re-imagines Terabithia and builds a bridge across the river to welcome a new ruler. He invites his sister, May Belle Aarons (Bailee Madison) to be that new ruler, who is delighted after being previously denied any opportunity to enter the land. She and Jess bring back Terabithia in even greater splendor; Jess the king and his sister the princess, and they rule together.

Pan's Labyrinth

Director : Guillermo Del Toro

Pan's Labyrinth (Spanish: El laberinto del fauno, literally The Labyrinth of the Faun) is a 2006 Spanish language fantasy film written and directed by Mexican film-maker Guillermo del Toro. It was produced and distributed by the Mexican film company Esperanto Films.

Pan's Labyrinth takes place in Spain in May and June, 1944, after the Spanish Civil War, during the franquist repression. Also present is the main character Ofelia's fantasy world which centers around an overgrown abandoned labyrinth. Ofelia's stepfather, the Falangist Captain Vidal, viciously hunts the Spanish Maquis, guerrillas who fight against the Franco regime in the region, while Ofelia's pregnant mother grows increasingly ill. Ofelia meets several strange and magical creatures who become central to her story, leading her through the trials of the old labyrinthCGI effects to create its creatures. garden. The film employs make-up, puppetry, and
Del Toro stated that he considers the story to be a parable, influenced by fairy tales, and that it addresses and continues themes related to his earlier film The Devil's Backbone, a spiritual sequel, though not an actual sequel. The original Spanish title refers to the mythological fauns of Greek mythology, while the English title refers specifically to the faun-like Greek god Panfawn). However, del Toro has stated that the faun in the film is not Pan. (intended to help English-speakers differentiate the title from the term

The film premiered at the 2006 Cannes Film Festival. It was released in the United Kingdom on November 24, 2006. In the United States and Canada, the film was given a limited release on December 29, 2006, with a wide release on January 19, 2007. Pan's Labyrinth has won numerous international awards, including three Academy Awards, the Ariel Award for Best Picture, and the 2007 Hugo Award for Best Dramatic Presentation, Long Form.

The movie opens with a fairy tale. Ofelia (Ivana Baquero), a young girl who loves to read, lies on the ground, bleeding, while the narration explains that Princess Moanna of the Underground Realm, curious about the world above, escapes to the Earth, where the sun blinds her and, forgetting her past, she weakens and dies. Nonetheless, her father retains hope that her spirit will eventually return to him.
The story then cuts to post-Civil War Spain in 1944, with Francisco Franco firmly in power. Ofelia has traveled with her pregnant mother Carmen (Ariadna Gil) to join Captain Vidal (Sergi López i Ayats), her new stepfather and father of Carmen's unborn child, at his post in the mountains where he is rooting out Spanish Maquis guerillas.
Ofelia discovers a stick insect that she believes to be a fairy. It follows her to the mill where Vidal is stationed. Ofelia chases it into an ancient labyrinth nearby. Ofelia meets Vidal's housekeeper, Mercedes (Maribel Verdú), who treats her kindly. Later that night, Ofelia overhears Mercedes and the local doctor conspiring to help the rebels. Upon her mother's request, Ofelia tells a surprisingly mature story to her unborn brother, a fable about pain and loss, and the promise of eternal life. After waking her in the middle of the night, the insect appears in Ofelia's bedroom where it changes into a fairy and leads her outside and through the labyrinth. There, she meets a faun (Doug Jones), who says that he believes her to be Princess Moanna. He gives her three tasks to complete before the full moon to ensure that her "essence is intact" so that she can return to her father's realm.
Ofelia completes the first task of retrieving a key from the belly of a giant toad that lives deep beneath the roots of a fig tree. Ofelia is becoming more worried about her mother, who has been ordered to stay in bed as her condition has worsened. The faun tells Ofelia of a magic way to restore her mother to health. Meanwhile, her stepfather is proving to be a brutish, violently cruel man. Ofelia then undertakes the second task of using the key to retrieve an ornate dagger from the lair of the Pale Man (also played by Jones), a grotesque, child-eating monster who sits absolutely silent and motionless in front of a large feast. Although she was gravely warned not to consume anything, she eats two grapes, awakening the Pale Man, who eats two of her fairy friends and pursues her. She narrowly escapes by drawing an escape door with a piece of chalk. However, infuriated at her disobedience for having eaten the grapes and causing the fairies' death, the faun refuses to give her the third task.
Events in the real world take an even grimmer turn as Vidal captures and brutally tortures a rebel. The doctor who has been staying with them to help Carmen is ordered to tend the wounds of the tortured rebel, so that he can be tortured further. Instead, the doctor kills him to end his ordeal (at the rebel's request). Vidal kills the doctor for his disobedience and betrayal, angered by the doctor's statement that only a man such as Vidal could practice such blind, unthinking obedience with no concern for the consequences. Just as the doctor dies, Carmen goes into labor and starts hemorrhaging. She dies in childbirth, but delivers a healthy son—Vidal had said that if only one could be saved, that it should be his son. Vidal discovers that Mercedes is a spy, and he captures her and Ofelia as they attempt to escape. Ofelia is locked in her bedroom, and Mercedes is taken to be tortured; however, she frees herself using a hidden knife with which she stabs and slices Vidal, but not fatally. She then flees but is caught. At the last moment, the rebels show up and rescue her.
The faun returns to Ofelia and gives her one more chance to prove herself. He tells her to take her baby brother into the labyrinth. She then uses the magic chalk to escape her room and sneak into Vidal's room. She drugs Vidal and grabs her brother; although disoriented, Vidal chases her through the labyrinth while the rebels attack the mill and Mercedes searches for her. Upon reaching the center, the faun tells Ofelia that the portal to the underworld will open only with the blood of an innocent, so he needs a drop of her brother's blood. Ofelia, unsure of his intentions, refuses to allow her brother to be harmed. The faun grudgingly agrees and vanishes. Vidal finds her, takes the baby and shoots Ofelia in the stomach. She falls to the ground, bleeding.
When Vidal leaves the labyrinth, the rebels and Mercedes are waiting for him. Realizing that he will die, he calmly hands Mercedes the baby, and starts to make a request that they tell his son about his heroic father, but Mercedes informs him that his son will never even know his name. Pedro, one of the rebels, shoots Vidal in the face, killing him.
Mercedes enters the labyrinth to find Ofelia dying, in a reprise of the opening scene. While Ofelia's blood drips onto the altar that was the gateway into the underworld, the scene flashes to a dream-like state: Ofelia is reunited with the king (Federico Luppi) (her deceased father, resurrected) and queen (her mother, alive again) of the underworld. The faun is there, as are the fairies. Ofelia learns that by sacrificing herself, instead of her brother, she has succeeded at the true final task, proving herself to be the Princess Moanna and achieving immortality. The moment Ofelia learns she is the Princess in the underworld, she smiles; at that same instant, in the real world, she dies. The scene is ambiguous however; it is unclear from the inter-cut persepctives whether she has actually died, as it seems in the world on the surface, or if she has taken her place as the princess of the underworld. The final scene shows a little white flower blooming on a dead tree next to where the giant toad lived.
Due to confusion over the film's ambiguity, in an interview, del Toro clarified that, in his own view, the fantasy world isn't only Ofelia's imagination; the Underground Realm does exist, and in the end, Ofelia does actually escape to the fantasy world (where she would be more happy to live in than the real world).